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IT ENDS WITH US, the first Colleen Hoover novel adapted for the big screen, tells the compelling story of Lily Bloom (Blake Lively), a woman who overcomes a traumatic childhood to embark on a new life in Boston and chase a lifelong dream of opening her own business. A chance meeting with charming neurosurgeon Ryle Kincaid (Justin Baldoni) sparks an intense connection, but as the two fall deeply in love, Lily begins to see sides of Ryle that remind her of her parents’ relationship. When Lily’s first love, Atlas Corrigan (Brandon Sklenar), suddenly reenters her life, her relationship with Ryle is upended, and Lily realizes she must learn to rely on her own strength to make an impossible choice for her future.

“Joker: Folie À Deux” finds Arthur Fleck institutionalized at Arkham awaiting trial for his crimes as Joker. While struggling with his dual identity, Arthur not only stumbles upon true love, but also finds the music that's always been inside him.

A fading celebrity decides to use a black market drug, a cell-replicating substance that temporarily creates a younger, better version of herself.

Megalopolis is a Roman Epic fable set in an imagined Modern America. The City of New Rome must change, causing conflict between Cesar Catilina, a genius artist who seeks to leap into a utopian, idealistic future, and his opposition, Mayor Franklyn Cicero, who remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero, the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.

PIECE BY PIECE is an unparalleled motion picture experience that captures the magic and brilliance of Pharrell Williams' creative genius, one LEGO brick at a time. Uninterested in making a traditional film about his life, Pharrell set out to tell his story in a way that would set audience's imaginations free. Developed from his singular vision, Piece by Piece defies genres and expectations to transport audiences into a LEGO world where anything is possible.

Belinda's mother-in-law moves in and proves to be the house guest from hell.

The sci-fi/horror-thriller takes the phenomenally successful “Alien” franchise back to its roots: While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe. The film stars Cailee Spaeny (“Priscilla”), David Jonsson (“Agatha Christie’s Murder is Easy”), Archie Renaux (“Shadow and Bone”), Isabela Merced (“The Last of Us”), Spike Fearn (“Aftersun”), Aileen Wu. Fede Alvarez (“Evil Dead,” “Don’t Breathe”) directs from a screenplay he wrote with frequent collaborator Rodo Sayagues (“Don’t Breathe 2”) based on characters created by Dan O’Bannon and Ronald Shusett. “Alien: Romulus” is produced by Ridley Scott (“Napoleon”), who directed the original “Alien” and produced and directed the series’ entries “Prometheus” and “Alien: Covenant,” Michael Pruss (“Boston Strangler”), and Walter Hill (“Alien”), with Fede Alvarez, Elizabeth Cantillon (“Charlie’s Angels”), Brent O’Connor (“Bullet Train”), and Tom Moran (“Unstoppable”) serving as executive producers. AMC has been advised that this film contains sequences with flashing lights that may affect photosensitive viewers.

Soprano Angel Blue makes her long-awaited Met role debut as the Ethiopian princess torn between love and country, one of opera’s defining roles. Music Director Yannick Nézet-Séguin takes the podium for Michael Mayer’s spectacular new staging, which brings audiences inside the towering pyramids and gilded tombs of ancient Egypt with intricate projections and dazzling animations. Mezzo-soprano Judit Kutasi, following her 2024 debut in Verdi’s La Forza del Destino, is Aida’s Egyptian rival Amneris, and tenor Piotr Beczala is the soldier Radamès—completing opera’s greatest love triangle. The all-star cast also features baritone Quinn Kelsey as Amonasro and bass Dmitry Belosselskiy as Ramfis.

In Strange Darling, nothing is what it seems when a twisted one-night stand spirals into a serial killer’s vicious murder spree. Written and directed by JT Mollner (Outlaws & Angels), Strange Darling stars Willa Fitzgerald (The Goldfinch, Reacher), Kyle Gallner (Smile, Dinner in America), Ed Begley Jr. (Better Call Saul, A Mighty Wind), and Barbara Hershey (Black Swan, Insidious) Distributed by Magenta Light Studios, Strange Darling is a Miramax and Spooky Pictures Production. The film is produced by Bill Block, Roy Lee, Steven Schneider, Giovanni Ribisi and Chris Ivan Cevic, with Giovanni Ribisi also serving as the Director of Photography.

MET Opera: Les Contes d'Hoffmann (2024) Poster

Offenbach’s fantastical opera kicks off the Metropolitan Opera’s season of Live in HD performance transmissions, starring French tenor Benjamin Bernheim in the title role of the tormented poet. Joining Bernheim is American soprano Erin Morley as Olympia, South African soprano Pretty Yende as Antonia, and French mezzo-soprano Clémentine Margaine as Giulietta to complete Hoffmann’s trio of lovers. Marco Armiliato conducts Bartlett Sher’s evocative production, which also features American bass-baritone Christian Van Horn as the Four Villains and Russian mezzo-soprano Vasilisa Berzhanskaya in her company debut as Nicklausse.

Extraordinary Norwegian soprano Lise Davidsen stars as the passionate title diva in David McVicar’s thrilling production, transmitted live from the Metropolitan Opera stage to cinemas on November 23. British-Italian tenor Freddie De Tommaso makes his eagerly anticipated company debut as Tosca’s revolutionary lover, Cavaradossi, and powerhouse American baritone Quinn Kelsey is the sadistic chief of police Scarpia. Maestro Xian Zhang conducts the electrifying score, which features some of Puccini’s most memorable melodies.

Following a string of awe-inspiring Met performances, soprano Lise Davidsen stars as Leonore, who risks everything to save her husband from the clutches of tyranny. Tenor David Butt Philip is the political prisoner Florestan, sharing the stage with bass-baritone Tomasz Konieczny as the villainous Don Pizarro, veteran bass René Pape as the jailer Rocco, and soprano Ying Fang and tenor Magnus Dietrich, in his company debut, as the young Marzelline and Jaquino. Bass Stephen Milling sings the principled Don Fernando, and Susanna Mälkki conducts the Met’s striking production, which finds modern-day parallels in Beethoven’s stirring paean to freedom.

Tony Award–winning composer Jeanine Tesori’s powerful new opera Grounded premieres at the Metropolitan Opera, wrestling with often-overlooked issues created by 21st-century warmaking: the ethical conflicts created by the use of modern military technology and the psychological and emotional toll supposedly safe remote technology takes on our servicepersons. Canadian mezzosoprano Emily D’Angelo stars as the hot-shot fighter pilot whose unplanned pregnancy takes her out of the cockpit and lands her in Las Vegas, operating a Reaper drone halfway around the world. American tenor Ben Bliss costars as the Wyoming rancher Eric in a production by Michael Mayer that brings this story to life in a high-tech staging which presents a variety of perspectives on the action. Met Music Director Yannick Nézet-Séguin takes the podium to conduct Tesori’s kaleidoscopic opera, which will be transmitted live from the Met stage to cinemas on October 19.

The Metropolitan Opera: The Magic Flute Holiday Encore (2024) Poster

The Met made history in December 2006 when it presented its first Live in HD transmission to cinemas worldwide: the abridged English-language version of Mozart’s The Magic Flute. Julie Taymor’s whimsical production features a winning ensemble—including tenor Matthew Polenzani, baritone Nathan Gunn, and bass René Pape—and returns to select movie theaters for a special encore presentation during the holiday season.

Under 17 requires accompanying parent or adult guardian (age 21 or older). Guests 25 years and under must show ID.
We restrict children younger than 6 from attending R-Rated films after 6pm to improve the experience for everyone. To bring your children younger than 6 to R-Rated films, please visit us before 6pm.

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It Ends with Us

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